THE VORTICISTS: REBEL ARTISTS IN LONDON AND NEW YORK, 1914-18
”The Vorticists: Rebel Artists in London and New York, 114-18" is the first museum exhibition devoted to this Anglo-American movement to be presented in the United States or Italy. It is also the first to attempt to recreate the three Vorticist exhibitions mounted during World War I that served to define the group's radical aesthetic for the public. An abstracted figurative style, combining machine-age forms and the energetic imagery suggested by a vortex, Vorticism emerged in London at a moment when the staid English art scene had been jolted by the advent of French Cubism and Italian Futurism. Absorbing elements from both, but also defining themselves against these foreign idioms, Vorticism was a short-lived but pivotal modernist movement that spanned the years of World War I (1914-1918).
This seminal exhibition is co-curated by Mark Antliff, Professor of Art, Art History & Visual Studies at Duke University, and Vivien Greene, Curator of Nineteenth and Early Twentieth Century Art at the Solomon R. Guggenheim Museum, New York. The exhibition will showcase approximately 90 works (paintings, drawings, prints, sculpture, photographs and related ephemera) by members of the Vorticist movement drawn from public and private collections throughout Europe and North America. Vorticism will introduce visitors to such artists as Wyndham Lewis, Henri Gaudier-Brzeska, Helen Saunders, Edward Wadsworth and other members of the Vorticist group. The group took its name from "Vortex," a term coined by the American expatriate literary great Ezra Pound in 1913, when describing the "maximum energy" he and his colleagues wished to instill among London's literary and artistic avant-garde. The Vorticist painters created compositions activated by zigzagging, diagonal forms and—in contrast to the Cubists and Futurists—more fully embraced geometric, abstract imagery, while not abandoning three-dimensional space. They harnessed the language of abstraction to convey the industrial dynamism they associated with the "vortex" of the modern city.
Among historians of modernism, Vorticism has been traditionally treated as an insular British art movement. "The Vorticists: Rebel Artists in London and New York, 1914-18" will overcome that myth by identifying the movement as a distinctly Anglo-American endeavor developed in 1914 as an avant-garde response to the impact of French Cubism and Italian Futurism on artists and writers in London and New York.
"The Vorticists: Rebel Artists in London and New York, 1914-1918" is co-organized by the Nasher Museum of Art at Duke University, the Peggy Guggenheim Collection, Venice, and Tate Britain. It will open at the Nasher Museum on September 30, 2010 and run through January 2, 2011; it will then travel to the Peggy Guggenheim Collection in Venice where it will be on view from January 29 to May 15, 2011, and finally to Tate Britain in London from June 14 to September 18, 2011.
To abstract means to remove, and in the art sense it means that artist has removed or withheld references to an object, landscape or figure to produce a simplified or schematic work. This method of creating art has led to many critical theories; some theorists considered this the purest form of art: art for art’s sake. Unconcerned as it is with materiality, abstraction is often considered as representing the spiritual.
A person who creates exhibitions or who is employed to look after and research museum objects.
A three-dimensional work of art. Such works may be carved, modelled, constructed, or cast. Sculptures can also be described as assemblage, in the round, relief, and made in a huge variety of media. Contemporary practice also includes live elements, as in Gilbert & George 'Living Sculpture' as well as broadcast work, radio or sound sculpture.
UK, London, Tate Britain
- 14 July 2011 − 19 September 2011
Italy, Venice, Peggy Guggenheim Collection
- 29 January 2011 − 15 June 2011
USA, The Nasher Museum of Art At Duke University
- 30 September 2010 − 02 January 2011