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Exhibitions

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Gwen John, PROFILE OF A GIRL IN VIOLET WITH FUR COLLAR P179
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Harold Gilman, BY CANDLELIGHT, ?1917 P2800
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Percy Wyndham Lewis, ABSTRACT DESIGN, 1912 P185

© Estate of Mrs G A Wyndham Lewis. By Permission
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Frederick Etchells, COMPOSITION, 1914/15 P188

© The Artist's Estate
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Christopher Richard Wynne Nevinson, BUTTE DE WARLENCOURT, 1917/18 P1948

© Courtesy of the artist's estate/ The Bridgeman Art Library
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Harold Gilman, HALIFAX HARBOUR, 1918 P2740
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Edward Wadsworth, LADLE SLAG, ROUND OAK (3), 1919 P186

© Estate of Edward Wadsworth 2005. All rights reserved, DACS.
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Walter Richard Sickert, THE PREVARICATOR, 1920/21 P2561
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Paul Nash, WHITELEAF CROSS, 1922 P119

© Tate, London 2005
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Charles Ginner, FITZWILLIAM SQUARE, DUBLIN, 1923 P189

© The Artist' Estate
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Henry Moore, THREE STUDIES OF RECLINING NUDES, 1930 P69/C

© The Henry Moore Foundation
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Henry Moore, THREE STUDIES OF RECLINING NUDES, 1930 P69/A

© The Henry Moore Foundation
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Christopher Wood, THE PLAGE, HOTEL TYMAD,TREBOUL, 1930 P183
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Henry Moore, THREE STUDIES OF RECLINING NUDES, 1930 P69/B

© The Henry Moore Foundation
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David Jones, CURTAINED OUTLOOK, 1932 P125

© The Trustees of the David Jones Estate
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Paul Nash, THE SOUL VISITING THE MANSIONS OF THE DEAD, 1932 P92

© Tate, London 2005
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Edward Burra, THE BAND, 1934 P181

© Estate of the Artist c/o Lefevre Fine Art Ltd, London
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Frances Hodgkins, YOUTH (LA JEUNESSE), 1934/35 P2749

© The Artist's Estate
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Eric Gill, NUDE STUDY OF A GIRL, 1937 P2354
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William Roberts, FOLK DANCE, 1938 P2626

© The Artist's Estate
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John Piper, CHRISTCHURCH, NEWGATE STREET, 1941 P2608

© The Artist's Estate
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Eric Ravilious, STORM, 1941 P159
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Anthony Gross, CAMEL DRIVER, BRITISH DRUZE REGIMENT, 1942 P150

© The Artist's Estate
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John Piper, LANSDOWNE CRESCENT FROM THE RUINS OF LANDSDOWNE CHAPEL, BATH, 1942 P156

© The Artist's Estate
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© 2011 British Council

The United Kingdom`s international organisation for cultural relations and educational opportunities.
A registered charity: 209131 (England and Wales) SC037733 (Scotland).

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