DRAWING DISTINCTIONS
Highlights
Artists (58)
- Roger Ackling
- Frank Auerbach
- Edward Bawden
- Tony Bevan
- Sir Peter Blake
- Derek Boshier
- Edward Burra
- Patrick Caulfield
- Bernard Cohen
- Cecil Collins
- Michael Craig-Martin
- Jeffrey Dennis
- Frederick Etchells
- Barry Flanagan
- Eric Gill
- Harold Gilman
- Charles Ginner
- Anthony Gross
- Richard Hamilton
- Dame Barbara Hepworth
- Roger Hilton
- David Hockney
- Frances Hodgkins
- John Hoyland
- Augustus John
- Gwen John
- David Jones
- Leon Kossoff
- Peter Lanyon
- Percy Wyndham Lewis
- John Minton
- Jeremy Moon
- Henry Moore
- Paul Nash
- Christopher Richard Wynne Nevinson
- Ben Nicholson
- Sir Eduardo Paolozzi
- Roland Penrose
This exhibition, selected by Robert McPherson, was drawn from the rich holdings of the British Council collection and featured drawings and watercolours made by major British artists throughout the 20th century. The exhibition opened with the work of Gwen John, Walter Sickert, Wyndham Lewis, Frederick Etchells and Stanley Spencer and traced the development of a native interest inline and figuration on one hand and in abstraction on the other. The work of war artists in both World Wars was well represented with examples by Christopher Nevinson, William Roberts, Edward Bawden, Eric Ravilious, John Piper and Graham Sutherland; Ben Nicholson, Matthew Smith, Paul Nash, Edward Burra, David Jones and Henry Moore represented the inter-war period; and the post-war period was particularly enlivened by experimentation and abstraction. Among the artists in the latter section were Peter Blake, David Hockney, Bridget Riley, John Hoyland, Patrick Caulfield and Barry Flanagan. The exhibition was accompanied by a comprehensive catalogue illustrating all the works in the exhibition, with notes on the artists and an introductory text by Frances Spalding (ISBN 0 86355 360 5). A separate catalogue was published by the British Council Poland to accompany the showing of the exhibition in Krakow.
Glossary
-
Abstraction
To abstract means to remove, and in the art sense it means that artist has removed or withheld references to an object, landscape or figure to produce a simplified or schematic work. This method of creating art has led to many critical theories; some theorists considered this the purest form of art: art for art’s sake. Unconcerned as it is with materiality, abstraction is often considered as representing the spiritual.
Past venues
-
Poland, Lodz, Museum Sztuki
- 22 October 2003
-
UK, Nottingham, Castle Museum And Art Gallery
- 08 December 2001
-
UK, Milton Keynes, Milton Keynes Gallery
- 29 September 2001 − 25 November 2001
-
Russia, Nizhny Novgorod, Museum Of Fine Arts
- 22 March 2001
-
Russia, Moscow, Pushkin Museum Of Fine Arts
- 23 January 2001
-
Russia, St Petersburg, The Hermitage
- 12 December 2000
-
Canada, Yukon Art Gallery
- 15 August 2000
-
Canada, Prairie Art Gallery
- 01 June 2000
-
Canada, Winnipeg Art Gallery
- 06 February 2000
-
Canada, Timmins Museum And N E C
- 01 December 1999
-
Canada, Arcadia University Art Gallery
- 01 October 1999
-
Malaysia, Kuala Lumpur, National Art Gallery
- 01 October 1998
-
Malaysia, Penang, Penang State Museum And Art Gallery
- 07 August 1998
-
USA, Phoenix, Arizona State University Art Museum
- 01 September 1997 − 30 November 1997
-
USA, Berkeley, University Art Museum
- 05 April 1997 − 26 June 1997