John Piper (1903 − 1992)
John Piper was born in Epsom, Surrey. He was articled in his father's legal practice before studying at Richmond School of Art and the Royal College of Art, London. His real interests were in, as he put it, 'man-made monuments from pre-historic times to the present day'. After leaving the Royal College he worked in several fields: stage design, book illustration and as a writer of reviews and criticism. In 1940 he was appointed an Official War Artist, and this enabled him to continue travelling throughout the country, recording buildings, many of them badly damaged, but he was never interested solely in architecture, but in the spirit of a place, in the surroundings that gave a place its particular emphasis and context. This lead to a series of landscape works featuring natural beauty and drama.
Glossary (2)
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Design
The arrangement of elements or details in an artefact or a work of art.
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Landscape
Landscape is one of the principle genres of Western art. In early paintings the landscape was a backdrop for the composition, but in the late 17th Century the appreciation of nature for its own sake began with the French and Dutch painters (from whom the term derived). Their treatment of the landscape differed: the French tried to evoke the classical landscape of ancient Greece and Rome in a highly stylised and artificial manner; the Dutch tried to paint the surrounding fields, woods and plains in a more realistic way. As a genre, landscape grew increasing popular, and by the 19th Century had moved away from a classical rendition to a more realistic view of the natural world. Two of the greatest British landscape artists of that time were John Constable and JMW Turner, whose works can be seen in the Tate collection (www.tate.org.uk). There can be no doubt that the evolution of landscape painting played a decisive role in the development of Modernism, culminating in the work of the Impressionists and Post-Impressionists . Since then its demise has often been predicted and with the rise of abstraction, landscape painting was thought to have degenerated into an amateur pursuit. However, landscape persisted in some form into high abstraction, and has been a recurrent a theme in most of the significant tendencies of the 20th Century. Now manifest in many media, landscape no longer addresses solely the depiction of topography, but encompasses issues of social, environmental and political concern.
Past exhibitions
FALL OUT: WAR AND CONFLICT IN THE BRITISH COUNCIL COLLECTION
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2010
- UK, Canterbury, Sidney Cooper Gallery
- UK, London, Whitechapel Art Gallery
EDGE OF ABSTRACTION
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2010
- UK, Paddock Wood, Mascalls Gallery
BLITZED! WAR ARTISTS IN BATH
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2005
- UK, Bath, Victoria Art Gallery
JOHN PIPER: THE FORTIES
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2001
- Wales, Swansea, Glynn Vivian Art Gallery
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2000
- UK, London, Imperial War Museum
DRAWING DISTINCTIONS
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2003
- Poland, Lodz, Museum Sztuki
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2001
- UK, Nottingham, Castle Museum And Art Gallery
- UK, Milton Keynes, Milton Keynes Gallery
- Russia, Nizhny Novgorod, Museum Of Fine Arts
- Russia, Moscow, Pushkin Museum Of Fine Arts
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2000
- Russia, St Petersburg, The Hermitage
- Canada, Yukon Art Gallery
- Canada, Prairie Art Gallery
- Canada, Winnipeg Art Gallery
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1999
- Canada, Timmins Museum And N E C
- Canada, Arcadia University Art Gallery
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1998
- Malaysia, Kuala Lumpur, National Art Gallery
- Malaysia, Penang, Penang State Museum And Art Gallery
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1997
- USA, Phoenix, Arizona State University Art Museum
- USA, Berkeley, University Art Museum
JOHN PIPER
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1983
- UK, London, Tate Gallery
BRITISH DRAWINGS AND WATERCOLOURS FROM ROWLANDSON TO RILEY
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1982
- Scotland, Edinburgh, The Royal Scottish Academy
- Hong Kong, Hong Kong Museum Of Art
- China, Shenyang, Shenyang Art Gallery
- China, Beijing, China Art Gallery
DECADE 40'S
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1973
- Scotland, Aberdeen, Aberdeen Art Gallery And Museum
- UK, Bradford, Bradford City Art Gallery
- UK, Manchester, Manchester City Art Gallery
- UK, Durham, DLI Museum & Art Centre
- UK, Carlisle, Public Library, Museum and Art Gallery
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1972
- UK, Southampton, Southampton City Art Gallery
- UK, London, Whitechapel Art Gallery
CONTEMPORARY BRITISH PAINTING 1900-1962
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1964
- Romania, Palace Of Culture
- Romania, Bucharest, National Gallery
- Slovakia, Bratislava, Mirbach Palace & Palffy Palace
- Czechoslovakia, Prague, ULUV Exhibition Hall
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1963
- Hungary, Budapest, Ernst Museum
JELENKORI BRIT FESTESZET
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1963
- Hungary, Budapest, Ernst Museum
CONTEMPORARY ARTISTS' LITHOGRAPHS
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1961
- Kenya, Nairobi, Sorsbie Gallery
- India, Mumbai, Jehangir Nicholson Gallery
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1960
- Cyprus, Nicosia, British Council Office - Nicosia
- Pakistan, Lahore, Alhamra Art Gallery
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1957
- Spain, Gijon, Salon De Exposiciones Del Real Instituto Jovellanos
- Spain, Oviedo, Galeria De Exposiciones De La Obra Social Y Sultural
- Spain, Madrid, Ateneo De Madrid
- Spain, Salon De Exposiciones De La Sociedad De Amigos Del Arte
- Portugal, Lisbon, Secretariado Nacional Da Informacao
- Portugal, Porto, Escola Superior De Belas Artes Do Porto
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1954
- Ceylon, Colombo, Ceylon Art Gallery
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1952
- Germany, Berlin, Kunst Templehof
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1950
- Canada, Montreal Museum Of Fine Arts
CONTEMPORARY BRITISH PAINTING
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1959
- Mauritius, Mauritius
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1958
- South Africa, Port Elizabeth, King George VI Art Gallery
- Dar Es Salaam
- Rhodesia, Ndola
- Uganda, Kampala, British Council Office - Kampala
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1957
- Kenya, Mombassa, Mombassa
- Kenya, Nairobi, National Gallery And Museum
- Zanzibar
- Blantyre-Limbe
- Moshi
ESPOSIZIONE D'ARTE CONTEMPORANEA INGLESE
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1955
- Italy, Rome, Gallerie D'arte Moderna
INTERNATIONAL WATERCOLOUR EXHIBITION 17TH BIENNIAL
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1953
- USA, Brooklyn, Brooklyn Museum
INTERNATIONAL EXHIBITION OF PAINTING
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1952
- Ceylon, Colombo, Ceylon Art Gallery
CONTEMPORARY PAINTINGS
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1951
- New Zealand, Auckland, Aukland City Art Gallery
- New Zealand, Wellington, National Art Gallery
- New Zealand, Dunedin, Dunedin Public Art Gallery
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1950
- New Zealand, Christchurch, Robert Mcdougall Art Gallery
CONTEMPORARY BRITISH ART FROM THE COLLECTIONS OF THE ARTS COUNCIL AND THE BRITISH COUNCIL
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1949
- UK, London, New Burlington Galleries
ELEVEN BRITISH ARTISTS
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1949
- Australia, Art Gallery Of New South Wales
- Australia, Launceston, Queen Victoria Art Gallery
- Australia, Hobart, Tasmanian Museum And Art Gallery
- Australia, Melbourne, Melbourne Royal Exhibition Building
- Australia, Broken Hill, Broken Hill Art Gallery
- Australia, Adelaide, Art Gallery Of South Australia
- Australia, Perth, Art Gallery Of Western Australia
- Australia, Brisbane, Queensland Art Gallery
CONTEMPORARY BRITISH PRINTS AND DRAWINGS FROM THE WAKEFIELD COLLECTION
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1950
- Fiji, Suva, Fiji Arts Club
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1949
- New Zealand, Hamilton, Waikato Museum Of Art & History
- New Zealand, Rotorua, Society Of Arts
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1948
- New Zealand, Auckland, Aukland City Art Gallery
- New Zealand, Wellington, National Art Gallery
- New Zealand, Napier, Napier
- New Zealand, Wanganni
- Australia, Brisbane, Queensland Art Gallery
- Australia, Art Gallery Of New South Wales
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1947
- Australia, Hobart, Hobart
- Australia, Melbourne, Melbourne Royal Exhibition Building
- Australia, Adelaide, Art Gallery Of South Australia
- Australia, Perth, Art Gallery Of Western Australia
- UK, London, Victoria And Albert Museum
BRITISH CONTEMPORARY PAINTERS
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1946
- USA, Worcester, Wocester Art Museum
- USA, St Louis, St Louis City Art Museum
- USA, Buffalo, Albright Knox Art Gallery
- USA, Cleveland, Cleveland Museum Of Art
- Canada, Art Gallery Of Ontario
- USA, San Francisco, California Palace/ Fine Arts Museum
CONTEMPORARY BRITISH ART
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1945
- Italy, Rome, Gallerie D'arte Moderna
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1944
- Israel, Jerusalem, Jerusalem
MODERN PAINTINGS AND DRAWINGS BY BRITISH ARTISTS
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1943
- UK, London, Ognisko Polskie (Polish Hearth) Belgrave Square
- UK, London, Belgian Institute, Belgrave Square
- UK, London, Czechoslovak Institute, Grosvenor Place
L'ART BRITANNIQUE CONTEMPORAIN
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1939
- Germany, Cologne, Wallraf-Richartz-Museum