Michael Ayrton (1921 − 1975)
Highlights
Michael Ayrton was born in London on 20 February 1921, son of the poet and critic Gerald Gould and the Labour politician Barbara Ayrton. After his father's death he adopted his mother's name.
Although his formal education was interrupted by long periods of illness, he travelled extensively in Europe and spent much time in private study. He attended Heatherley's and St John's Wood Schools of Art, but he also spent time in Paris where he shared a studio with John Minton in 1939. Later in life, under Henry Moore's advice, he became a proficient sculptor.
Ayrton was first associated with the English Neo-Romantic movement as he was influenced by the style of Pavel Tchelitchew, Henry Moore and Graham Sutherland.
At the age of 18 he was commissioned to design the sets and costumes for Gielgud's Macbeth and later on he started teaching drawing and stage design at the Camberwell School of Art (1942-44).
During his life he worked as an artist, teacher, writer, art critic, stage designer and illustrator, and in 1940s and 50s he visited Italy and Greece several times where he was influenced by the Italian Quattrocento but also by the myths of Icarus, Daedalus and the Minotaur which became central themes in his work.
He lived most of his life in Toppesfield, Essex, and died in November 1975.
Reference Bibliography:Buckman D., (2006), Artists in Britain since 1945, Vol 2, Art Dictionaries Ltd, Bristol
Glossary (2)
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Design
The arrangement of elements or details in an artefact or a work of art.
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Drawing
The depiction of shapes and forms on a flat surface chiefly by means of lines although colour and shading may also be included. Materials most commonly used are pencil, ink, crayon, charcoal, chalk and pastel, although other materials, including paint, can be used in combination.
Work Themes (5)
Past exhibitions
MY CHOICE WORKS SELECTED BY PAULA REGO FROM THE BRITISH COUNCIL COLLECTION
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2011
- Portugal, Coimbra, Univesidade de Coimbra, Casa de Caldeiras
- Portugal, Edp Foundation
- Portugal, Cascais, Casa Das Historias
FROM DESTRUCTION TO ABSTRACTION BRITISH ART IN THE 1940S AND 1950S
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2008
- Syria, Damascus, University Of Damascus
100 YEARS OF ART IN BRITAIN
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1988
- UK, Leeds, Leeds City Art Gallery
L'ART EN EUROPE 1946-53
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1987
- France, St Etienne, Musee D'art Moderne
A PARADISE LOST THE NEO-ROMANTIC IMAGINATION IN BRITAIN 1935-55
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1987
- UK, London, Barbican Art Gallery
DECADE 40'S
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1973
- Scotland, Aberdeen, Aberdeen Art Gallery And Museum
- UK, Bradford, Bradford City Art Gallery
- UK, Manchester, Manchester City Art Gallery
- UK, Durham, DLI Museum & Art Centre
- UK, Carlisle, Public Library, Museum and Art Gallery
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1972
- UK, Southampton, Southampton City Art Gallery
- UK, London, Whitechapel Art Gallery
CONTEMPORARY ARTISTS' LITHOGRAPHS
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1961
- Kenya, Nairobi, Sorsbie Gallery
- India, Mumbai, Jehangir Nicholson Gallery
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1960
- Cyprus, Nicosia, British Council Office - Nicosia
- Pakistan, Lahore, Alhamra Art Gallery
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1957
- Spain, Gijon, Salon De Exposiciones Del Real Instituto Jovellanos
- Spain, Oviedo, Galeria De Exposiciones De La Obra Social Y Sultural
- Spain, Madrid, Ateneo De Madrid
- Spain, Salon De Exposiciones De La Sociedad De Amigos Del Arte
- Portugal, Lisbon, Secretariado Nacional Da Informacao
- Portugal, Porto, Escola Superior De Belas Artes Do Porto
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1954
- Ceylon, Colombo, Ceylon Art Gallery
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1952
- Germany, Berlin, Kunst Templehof
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1950
- Canada, Montreal Museum Of Fine Arts
BRITISH ART 1900-1955
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1956
- Norway, Oslo, Kunstnernes Hus
- Denmark, Copenhagen, Kunstforeningen
MICHAEL AYRTON
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1955
- UK, London, Whitechapel Art Gallery
BRITISH ART TODAY: 10 ENGLISH PAINTERS
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1953
- Sweden, Stockholm, Bildande Konst
- Sweden, Goteborg, Konstmuseum, Konsthallen
1951 SAO PAULO BIENAL
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1951
- Brazil, Sao Paulo, Sao Paulo Bienal
CONTEMPORARY BRITISH ART FROM THE COLLECTIONS OF THE ARTS COUNCIL AND THE BRITISH COUNCIL
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1949
- UK, London, New Burlington Galleries
MICHAEL AYRTON PAINTINGS, DRAWINGS, THEATRE DESIGN
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1949
- UK, Wakefield, Wakefield Art Gallery